But I was still enamored of the format. Work I had done with the 120 Stereo Populist made me want to play with the 6x6cm square format more. I liked the 6cm pinhole to film distance with that size film (vertically about the same as the Populist), and I'm enough of a metalhead to be attracted to 666 numerology. I intended to make this camera for a long time. I bought the cardstock about a year ago, did the template drawing on the computer last spring, printed the template about the beginning of July and finally made the camera Labor Day weekend.
The front and film holder are one part and the outside box another.
I used some cut off nails to insert into the film reels at the bottom to keep them parallel. The winders are oak 3/8" dowels with the ends sculpted to insert in the slot on the 120 reel. The film loads in the normal box camera up-and-around-the-sides style.
The collars on the winders are made out of several layers of 3M #235. That was easier to cut than anything else, and it's flexible and thin enough to slide between layers.
I extended the front a little around the sides and had to add some baffles and put some felt inside the channel where the back joins the front to eliminate light leaks after testing it in the sun with a strip of photographic paper. A second test was completely clear.
The flexible winder collars slip under the front of the box and the rubber bands keep them firmly down on top the camera and keep them from falling out and getting lost.
It requires a loosen-supply-then-advance-the-takeup method for winding the film. but it seems to go smoothly and fast enough for pinhole.
The shutter and a shutter for the film counter are three layer sliding shutters. That works out pretty well in the front since the pinhole is recessed enough that it makes a usable "lens" hood.
I stuck some beaded pins for viewfinding gun sights and covered it all over with 3M #235 for that leatherette feeling. After that long delay in getting started, I loaded it with role of Arista.edu 400, exposed it all and developed it in Microphen 1:1. in one day.
This was about ten o'clock in the morning,
For this picture, the tripod was leaning against the couch where, like a genius, I decided to sit to prevent the cats from bumping the tripod. This image really screams for color so I'm planning to do it again (and go to another room during the exposure.)
I spent about a year once photographing nothing but this kitchen window.
I wasn't even in the house during most of this exposure.
This kind of strikes me as having kind of a Bruce Davidson or Diane Arbus feel to it, except there's no people in it.
Would you believe it was me if I didn't include a self-portrait?
I was a bit surprised that it turned out to be so compact, so it's not only evil, but it's sneaky too. This should be fun.