I set forth on several rollin' pinholin' adventures to take advantage of the interesting backgrounds.
Built as a response to Wisconsin's first-in-the-nation legislation establishing technical schools, The Beach Building was the Orville Beach Manual Training School from 1912 until the '70's. It was converted to offices, and now apartments. It was designed by noted local architect William Waters, but the front is probably more typical of his work than this back corner.
The Mainview Apartments, originally the Hotel Raulf, looms over the local office of the National Alliance on Mental Illness.
You can always depend on the Catholic Church for architecture. While I was taking this a preschooler was clinging onto the playground fence thirty yards away yelling "What are you doing?" over and over as loud as he could. I told him I was taking a photograph. He ran away toward an unseen companion repeating "He's taking a photograph!" at similarly high volume.
Where the hotel parking structure joins the hotel.
The loading docks at the Convention Center.
The Canadian National railroad bridge in it's normal raised position silhouetted against the sky. This was about a 4 second exposure. There were at least two boats in the picture that moved too much to be recorded, but the ducks in the lower right stayed put.
This one cloud seemed to make a composition all by itself. Looks more like a ducky than a horsie to me.
Sailboat masts at the Yacht Club.
Clouds over the four backstops at East Hall Field. This cloud looks more like an Angry Bird.
The front of a building for a change. Merrill School. This is the elementary school side. The second floor windows on the right were Andy's fourth grade classroom where we did a pinhole experience. This is the door they came out of to take their photographs and go back to the improvised darkroom in the copier room in the basement. What originally caught my eye was the little garden plot planted by students and now completely overgrown in mid-July,
The corner of the middle school side under the shade of this really giant oak.
Our unruly magnolia doing it's impression of a Picasso sculpture
The above were done with the new Evil Cube. I confess that I used the rising pinhole for all of them.
I also had the Moderately Telephoto Pinhole Camera in a Plain Brown Wrapper with me. As with the last roll through this camera, in addition to clumsy double exposures and bumping the camera, I also had what I thought were some pretty odd low contrast exposures. I now think this camera is not totally opaque but I did get a few exposures that were OK.
The Mainview Apartments again, although this time the slight fogging changes the tone and makes it look like it's about to be flattened by an alien death ray.
The Canadian National Bridge lowered with a train going over it. The barriers came down just as I got there. I tried to get the tripod detached and set up with the camera on it while still sitting on the bike and nearly fell over three times. The train was nearly done by the time I was ready. I held onto the tripod to keep upright and seem to have given it a bit of a shake, but that gives it a kind of ghostly historic vibe. This was the location of the first railroad bridge to cross the Fox in 1861 carrying all those wood and paper products from the factories powered by the river between Oshkosh and Green Bay to markets in the rest of the country.
Seduced by another cloud. Again, the previous frame was very dense and low contrast, but I was under a pretty thick cloud when I made this seconds later and it's a completely normal exposure.
The first twelve (!) with The New Evil Cube. .3mm pinhole 6cm from 6x6cm frame located 15mm above the axis of the film plane, with Kodak TMax 100.
The last four with The Moderately Telephoto Pinhole Camera in a Plain Brown Wrapper. .33mm pinhole 12cm from 6x6cm frame located 12mm above the axis of the film plane, except the one of the train which was done with the on-axis pinhole, with Ilford HP5.
Both developed in Rodinal 1:50